Download e-book for kindle: A Companion to Greek Art: 2 Volume Set (Blackwell Companions by

ISBN-10: 1118273370

ISBN-13: 9781118273371

A entire, authoritative account of the improvement Greek paintings during the 1st millennium BC.
• a useful source for students facing the paintings, fabric tradition and background of the post-classical world
• comprises voices from such varied fields as artwork heritage, classical reports, and archaeology and provides a range of perspectives to the topic
• beneficial properties an cutting edge crew of chapters facing the reception of Greek artwork from the center a long time to the present
• contains chapters on Chronology and Topography, in addition to Workshops and Technology
• contains 4 significant sections: varieties, instances and areas; Contacts and Colonies; pictures and Meanings; Greek paintings: historical to vintage

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Additional info for A Companion to Greek Art: 2 Volume Set (Blackwell Companions to the Ancient World)

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I was almost right: the story actually moves from cave paintings to telephones. Visitors absorb the unfolding tale by riding little carts that spiral up inside the globe, passing Animatronic scenes depicting significant stages in the advance of communications technology. In older versions of the progress narrative, telephones might have been the peak of human communication history and might have been reached at the top of the dome, at the story's end. But Disney World is continually updated, and so, at the top of the dome the little vehicles turn around, and the riders descend, backward, into the future, gazing upward into a starry sky full of spaceships communicating over vast distances.

Putting the primitive at the low beginning would not have been quite as brilliant a solution if there had not been compelling social reasons to conceptualize these people as inferior. Those compelling reasons were produced by the advent of full-blown colonialism during the period that has usefully been called "the long nineteenth century" (from 1789 to 1914). During the first half of that extended century, the nation-state in its modern form was invented, and the new state structures took over the administration of the territories that private companies, with increasing state military support, had been trading with and controlling.

My impression is that, if the Renaissance "licensed" such exotic items to remain comfortably at the margins, the eighteenth century felt some unease with them, in part, perhaps, because of the ambitions of the new encyclopedic efforts at systematizing all knowledge. There is no place for anomalies in a totalizing system. By the beginning of the eighteenth century, the "artificial curiosities" (things made by humans in distant places, like shoes and weapons) had ceased to be "wonders" in the Renaissance sense, but they were not yet the objects of scientific knowledge that they were to become in the nineteenth century.

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A Companion to Greek Art: 2 Volume Set (Blackwell Companions to the Ancient World)

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