By Jane Campbell Hutchison
Hutchison's e-book is a whole consultant on Durer and the examine on his paintings, his ancient import and his aesthetic legacy.
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Additional info for Albrecht Durer: A Guide to Research (Artist Resource Manuals)
561), thought to be a sister of the sitter. 83. Boberg, Jochen. ” tendenzen 12, (June/July) (1971): 128–131. Waetzoldt and the dechristianizing of the Knight, Death, and Devil. Includes quotations in praise of the artist by such wellknown racists as Paul Schultze-Naumburg, Hans F. Günther, Theodor Hetzer, Karl Grosshans, and Irma Fiebig. 84. Boehm, Gottfried.
Das Malerische Werk, 2, revised ed. 2 vols. Berlin: Deutscher Verlag für Kunstwissenschaft, 1991. Replaces the 1971 one-volume edition (long out of print) as the new standard catalogue of Dürer’s paintings. Completely revised and updated by the author, the retired director of the Berlin print room (1977–1984), who also taught at the Free University. Takes into consideration the new scholarship produced since 1971. Volume 1 is text; Volume 2 illustrates in color each of the surviving paintings accepted by the author as autograph works, in some cases accompanied by black-and-white details.
Dissertation, Munich, Ludwig-Maximilian-Universität, 1981. ANNOTATED BIBLIOGRAPHY 33 Balthasar Albrecht was gallery inspector and restorer at the court of the Elector Max Emanuel, as well as his court painter (1727–1730), Kammerdiener (1751). The painter of the high altar at the Wieskirche, he was called upon to fresco the Munich Residenz after the 1729 fire that destroyed Dürer’s Heller altarpiece. Not particularly important for Dürer studies, although influenced by his art to a certain extent.
Albrecht Durer: A Guide to Research (Artist Resource Manuals) by Jane Campbell Hutchison