Kristin Kuutma (auth.), Lourdes Arizpe, Cristina Amescua's Anthropological Perspectives on Intangible Cultural Heritage PDF

By Kristin Kuutma (auth.), Lourdes Arizpe, Cristina Amescua (eds.)

ISBN-10: 3319008544

ISBN-13: 9783319008547

ISBN-10: 3319008552

ISBN-13: 9783319008554

A decade after the approval of the UNESCO 2003 conference for the Safeguarding of Intangible Cultural background (ICH), the concept that has received extensive attractiveness on the neighborhood, nationwide and overseas degrees. groups are spotting and celebrating their Intangible historical past; governments are devoting vital efforts to the development of nationwide inventories; and anthropologists and pros from assorted disciplines are forming a brand new box of analysis. the 10 chapters of this e-book comprise the peer-reviewed papers of the 1st making plans assembly of the overseas Social technological know-how Council’s fee on study on ICH, which used to be held on the Centro neighborhood de Investigaciones Multidisciplinarias (UNAM) in Cuernavaca, Mexico in 2012. The papers are in accordance with fieldwork and direct involvement in assessing and reconceptualizing the results of the UNESCO conference. The document in Appendix 1 highlights the details raised through the sessions.

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The mark of contrast introduced by the people of Tlacotepec, since a similar kind of event also takes place in other communities of the micro-region, is the throwing of tamales to the public. This is a gesture of generosity and of sharing which is at the core of indigenous cultures in Mexico. 3 Conclusion As a conclusion to this brief explanation of three types of practices of intangible cultural heritage, I would point out that the classificatory grid for intangible cultural heritage events must take into account these three dimensions: firstly, the singularity of an event, marked deliberately for contrast in the framework of a plurality of similar practices; secondly, the pluriculturality of the event must be signalled, simply stating the major cultural influences that it has received from other cultures; and, thirdly, attention must be given to micro-regional strategies that also allow communities to integrate into a single, ritual calendar which holds together their conception of time, unity and belonging.

Two young women, one dressed as a Mexica (Aztec) princess, another as the Queen of Spain, recite this text that describes the beauties and bounties of America and Spain, ending with the reconciliation of both traditions. The Mexica princess is dressed in a satin robe with the national colours, green, white and red, and wears a 7 The second UNESCO General Conference was held in 1948 in Mexico, where archaeological, ethnographic and educational cultural programmes were demonstrated. A year later, the Culture Sector of UNESCO was created.

Rosaldo Fig. 1 Renato Rosaldo (red cap) and Antonio Arantes (black cap) at Yautepec’s Carnival (2012). Source Photo by Alejandro Hernández one song versus another? How do singers evaluate their audiences? And how do audiences evaluate the singers? This inquiry could also compare different songs that are seen as related or somehow comparable. Most ethnographic studies do not encompass such questions of value, yet these issues are eminently researchable. They might begin with simple questions of taste, such as which one somebody likes better, but their goal would be to explore the aesthetics of a community.

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Anthropological Perspectives on Intangible Cultural Heritage by Kristin Kuutma (auth.), Lourdes Arizpe, Cristina Amescua (eds.)

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